“DIRECTOR’S CHOICE, 2023”
Juried by Vernita Nemec
April 25–May 20, 2023
Opening Reception: Saturday, April 29, 4–6pm
Artist Talk and Closing Reception: Saturday, May 20, 4–6pm
Your Custom Text Here
“DIRECTOR’S CHOICE, 2023”
Juried by Vernita Nemec
April 25–May 20, 2023
Opening Reception: Saturday, April 29, 4–6pm
Artist Talk and Closing Reception: Saturday, May 20, 4–6pm
"Art from Detritus: 2023"
Curated by Vernita Nemec March 28 to April 22, 2023
Reception: Thursday, March 30, 6–8pm
closing reception & artists’ talk Saturday, April 22, 4–6pm
Curated by Sai Morikawa
August 8 - 20, 2022
=ARTISTS=
C’est Gentil /Chikako /Daisuke Hayashi /Eri Hirano /Gani
Hiromi Minami /Hiroyuki Saida /Hisayuki Doi /Housei Yamakawa
Ichigo Nohara /K-Junko /Ken Shiraishi /Koichi Suzuki
Mariko Okabayashi /Megumi Matsukawa /Miwako.K./Minako Ito
Misato Ando /Monzo Watanabe /Morihiro Okamoto /Motoko Ogawa
Natsuya Myoui /Rena Kasuya /Ryuga Tenzan /Shingo Fukuyama
Surhands Tanaka /Mask /Teruko Asuguchi /Shingo Hayamizu
Tomomi /Shingo Fukuyama /Yoshi Hiramitsu
Yoshihiro Kogure /Yukiko Uchida /Yuko Sato
Wally Gilbert
“Images from Life”
April 12th - May 7th, 2022
Opening reception Thursday, April 14, 6 – 8 PM
1st prize – Lexus Giles 2nd prize – Heidi Brueckner 3rd prize – John Humphries
Honorable Mention: Blair Treuer & Jacqueline Donadeo
Norman Aragones * Steffani Bailey * Emmett Barnacle * Saba Besier * Carol Blum * Lesley Bodzy *
Amy Broderick * Zoe Brown-Weissmann * Susan Bruce-Feinsod * Jasper Knight Champion * Jeanne Ciravolo Pam Cooper * Barbara Dirnbach * Fatima Franks * Tom Gehrig * Deneece Harrell Ham * Melissa Holmes * Susannah Israel * Steven Kratka * Aliona Kuznetsova * Nayana LaFond * Roberta Levitow *
Susan Miller Zelenak * Paul Murray * Hillel O’Leary * Carol Paik * Brett Poza *
Laura Rutherford Renner * Brad Silk * Dorian Skelton * Ko Smith * John VanDewerker*
Norman Aragones
“Growing Up”
7" x 9" x . 5"; Film Photography
$250.
Steffani Bailey
“Pavement, leaves, rain, and walk”
26" x 19.5" x 3"; Assemblage: oils on wood with panel corner
$1700.
Emmett Barnacle
“The Edge”
13" x 4" x 4"; Cast Glass
$1700.
Saba Besier
“Intrepid Growth”
22.5” x 12” x 12”; Porcelain, gold, white gold and copper
$3600.
Carol Blum
“Lady Grey”
11" x 14" x .25"; Marker on Yupo
$250.
Lesley Bodzy
“Conceal The Pain of Adolescence”
31" x 32" x 1"; Acrylic mixed with gel, Peruvian powdered pigments, nails
$4000.
Zoe Brown-Weissmann
“Leaving The Dayshift During Covid”
36" x 24" x 1.5"; Assemblage (Mixed Media)
$3500.
Amy Broderick
“Prism”
3.5" x 3.5" (12" x 12" framed); Archival Inkjet Print
$250.
Susan Bruce-Feinsod
“Native American Male”
Acrylic
14" x 11" x 1"
VIRTUAL ONLY
2nd Prize Winner: Heidi Brueckner
“Siblings with Mud House”
34.5" x 42”; Oil, acrylic, and paper on canvas
$3500.
Jasper Knight Champion
“Summer Fields”
15” x 30” x 1.5 inches; Acrylic on stretched canvas
$400.
Jeanne Ciravolo
“Matriarch”
52" x 34" x 1"; Mixed media and collage
$1300.
Pam Cooper
“The Spiral”
29" x 6" x 6"; Abaca paper, print and metal
$2400.
Barbara Dirnbach
“Portrait Study in Black and White”
30" x 24" x 1"; Acrylic on canvas/framed
$700.
Honorable Mention: Jacqueline Donadeo
“Can We Talk”
14" x 14" x .75"; Oil on canvas
$1500.
Fatima Franks
‘Conversation with Blue Flowers’
From ‘The Secret Garden’ Series
30 x 30 inches; Digital mixed media painting on metal
$495.
Tom Gehrig
“Reconnoitering Deception Pass”
40" x 50"; Oil on canvas
VIRTUAL ONLY
$8000.
1st Prize Winner: Lexus Giles
“She is Broken”
22" x 16" x 8"; Ceramic
$3000.
Deneece Harrell Ham
“Quiet Grace”
11" x 6" x 7”; Porcelain & Gold leaf
$950.
Melissa Holmes
“Sunny”
12" x 16" x 0.125"; Oil on linen
$500.
Third Prize Winner: John Humphries
"Trilobitic Surface 002"
48” x 24” x 1"; Ceramic
$2200.
Susannah Israel
“Half Boat”
14" x 10" x 5"; Patinated Clay Sculpture
$900.
Steven Kratka
“Indefinite Fog”
24" x 24" x 1"; Metallic Photographic print
$850.
Aliona Kuznetsova
“Smoke”
10" x 8" x 1"; Photography
$350.
Nayana LaFond
“Shayla in RED”
40" x 30" x 1"; Acrylic on canvas
$15,000.
Roberta Levitow
“La Sainte Corona or The Transfiguration”
14" x 11" x 1"; Egg tempera and goldleaf on gesso board
$2500.
Susan Miller Zelenak
“Fragmented Face with Orange Hair”
24" x 18" x 1"; Oil, canvas, waxed thread
$1000.
Paul Murray
“Sand Fog”
22.5” x 29.5” x 1”; Color photographic image print on archival paper
$995.
Hillel O’Leary
“Fragile”
12" x 18" x 10"; Press-molded porcelain, steel
$2000.
Carol Paik
“Configurations I”
31" x 60" x 10"; pillows, zippers, thread
$1000.
Brett Poza
“Whitefly”
9" x 7" x 1"; Pyrography on paper adhered to wood, coffee ink, aquarelles
$125.
Laura Rutherford Renner
“Waiting for a Connection”
10.5" x 15.5"; Oil on wood
$780.
Brad Silk
“Andy 2020”
22" x 30"; Pastel on paper
$1250.
Dorian Skelton
“Dealing with Inconsistencies”
24" x 30" x 1"; Oil and acrylic
$600.
Ko Smith
“Partisan (Chains of Supposition)”
12" x 9" x 1.5"; Oil on canvas
$960.
Honorable Mention: Blair Treuer
“Isaac”
50" x 49" x 4"; Fabric and thread
$10,000.
John VanDewerk
“SUN DANCER”
26" x 36" x 1"; Pigment inks on canvas
$950
“I watched a video of waves crashing on black rocks in Hawaii and made this to show their powerful punches and how wide the world is.”
Mara Clawson
“Solitary Colors”
24" x 18" x 1.25"; Acrylic on Canvas
$3000.
“This painting is representative of my efforts at preserving the warmth and hope in my life through creativity and self-expression, in spite of unshakable melancholy.” Chasity Colón
“Shoulder to cry on (I and II)”
9” x 12”; Paper and acrylic on paper
$700. Each
”This set was inspired by the ocean and the ways in which natural waters, whether tears or the sea, can heal and comfort when one feels alone in the world.”
“In my current series, Penchant, I am exploring our culture's obsession with consumption and waste by analyzing our relationship with garbage. Through experimentation with color and texture, threatening piles of trash evoke feelings of curiosity and playfulness while creating a sense of foreboding. Pulling from an interest in ancient societies and a frustration of always finding trash in nature, I began thinking about the evidence that will remain of our civilization's existence. How will other future societies view our priorities and how we went about solving our problems. I aim to confront my audience with our waste obsession by allowing them to rethink their own individual relationship with the things they consume, while also bringing the awareness needed to confront irresponsible industries about what they are producing in order to fix this systemic problem. Penchant brings to light our relationship with waste in hopes of convincing others that even through the endless social and economic issues compounding around us, our planet is always of the utmost importance, and we as a species must work together to preserve its beauty for generations to come.”
Devan Horton