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“Nancy Makes a Few Calls”
24 x 24 x 2"; Oil on panel
$800.
“Nancy Makes a Few Calls repositions an scene from A Nightmare on Elm Street in which protagonist Nancy Thompson is in her bedroom, on the phone with Freddy Kruger into the setting of an abstracted Maine landscape.”
“In The Woods”
11" x 8"; Colored Pencil
$350.
“I was showing how much depth in the human face and the beauty of greenery.”
“Neighborhood at Dinnertime”
Size Varied: Approximately 3.5’ x 4.5" x 1.5"; Ceramic, acrylic, wood, pastel
$2000.
“Fat Night”
Size Varied: Figures are 10" x 10" x 10"; Ceramic, pastel, fabric, paint.
$700.
“My work represents memories as distinct, hyperbolic, and magical.”
“Twenty Twenty Identity”
38" x 75" x 1"; Charcoal and iridescent ink on ink-washed paper.
$3000.
“Beginning in 2020, masks have become a function of everyday physical safety, which has resulted in the identity of all ages fascinatingly being reduced to half a face.”
“Wade”
36" x 48" x 2"; Oil on canvas
$3800.
“Wading in the troubled waters” is a phrase that has occurred throughout history to demonstrate the freeing of enslaved people. In this case, we are all enslaved to our material wants. If we were forced to wade in these waters, we might be more motivated to free ourselves.
“FAN”
14" x 14" x .75"; Acrylic on Canvas
$550.
“I love the movement in this piece that combines mark making with palette knives, printing, and some open spaces that show the layering of light yellow, light magenta and teal.”
“Drop Me Off In The Sky”
20" x 13"; Photography
$250.
“Drop Me Off In The Sky is one of the first pieces from my very first shoot in a new series I am working on based on the elements of fire, water, earth, and electricity.”
“Forward Without”
22.5" x 18"; Oil on panel
$1500.
“This piece was made out of frustration at the lack of systemic change towards racial equity, and the hope and belief that progress will be made regardless.”
“Dinner with my Parents During a Pandemic”
36" x 48" x 2"; Oil on canvas
$7650.
“A Lull”
20" x 20" x 0.75"; Oil on canvas
$600.
“Despite what cultural values may impart, unproductive moments can be meaningful; there is intimacy in witnessing someone unselfconsciously experiencing time in between moments.”
“Bending Light”
16" x 12"; Oil paint on paper
$480.
“This painting is a self-portrait viewed through assorted glasses and bottles during quarantine, to convey the many distorted and overlapping lenses between my isolated self and the ever-changing world outside. “
“The Ocean's Are Rising And So Must We”
30" x 40" x 2"; Acrylic on canvas
$2000.
“Precarious”
24" x 30"; Acrylic and oil on canvas
$850.
“Confrontational and reminiscent of human form, Precarious was born from pain and catharsis. Its repeating floral design speaks to the cyclical rhythms by which we live.”
“Piles; Serious Traits”
28” x 28” x 28”; Ceramics, jute rope, zip ties
$1200.
“Piles from Serious Traits is influenced by nostalgic memories from my childhood and the natural environments where I grew up, in southern Louisiana; referencing remnants of fishing nets, boat docks, ropes, tropical and bayou plant life. “
“Felled”
2" x 7" x 1"; Glass
$1000.
“Waiting”
24" x 24" x 2"; Oil on Canvas
“Polar”
4.2" x 3.5" x 0.25"x (21); Felt and thread
$2250.
“Polar poses questions of access, consent, and ownership; what do we do with intimate photos when a relationship has ended?”
“Human”
30" x 24" x 1"; Acrylic & Oil Paintstick on Canvas
$850.
“This Mixed Media painting uses an abstracted and expressive background to guide the construction of cubist forms in the foreground in order to break down the human form into its most basic components.”
“My Guilty Pleasure”
14" x 14" x .5"; Oil paint on canvas
$500.
“This is a self-portrait poking at the idea of guilty pleasure.”
