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“God Bless the Mamas”
11" x 14", Acrylic on canvas
NFS
My daughters and other parents of young children are particularly stressed by the increased level of engagement necessitated by confinement. This is a shout-out to them.
“Hanging On to Hope”
12” x 12”, Mixed media
$300.
Our secure fortresses are under attack in multiple ways from the viral enemy. We hang onto
hope by a thread.
“Dying Alone”
Mixed media on canvas 12”x12”
$300.
“In the Time of the Virus #1”
March 2020,
31.5"w x 26"h,, Mixed Media including acrylic paint, watercolor, pencil, pastel, ink, sand, gros grain ribbon, paper.
$2200.
“In the Time of the Virus #3”
March 2020
27"w x 23"h, Mixed Media including spray paint, watercolor, ink, acrylic paint
$1600.
“In the Time of the Virus #4”
April 2020
20"w x 26"h, Mixed Media including acrylic paint, watercolor, sand, bronze powder, acetate sheet, ink
$1800.
This is where the fears and nightmares slip out —
apprehension demanding attention.
The long quiet hours, and
the days of anger and sorrow and worry and longing;
turmoil resolving itself with paint and ink on paper.
“Quarantine” -
12" x12" x1" , Mixed media assemblage on wood panel
$400,
An eye peeking out from a rusty opening in a ravaged law book tells the story of being in a state of necessary quarantine.
“Pandemic Panic”
20” x 16” x 3” ,Mixed media on wood panel: metal, paper, ink, acrylic, bone, plastic and charcoal
$500
This piece is an expression of the fear and panic that many of us feel in the face of a new, life threatening force.
"Window"
11” x14, Watercolor on Fabriano 140 lb. coldpress,
$150.
"on the other hand"
11” x14, Watercolor on Fabriano 140 lb. coldpress,
$150.
"cat 1"
11” x14, Watercolor on Fabriano 140 lb. coldpress,
$150..
"cat 2"
11” x14, Watercolor on Fabriano 140 lb. coldpress,
$150.
"cat 3"
11” x14, Watercolor on Fabriano 140 lb. coldpress,
$150..
“Untitled on Yellow”
24” x 20”, Cold wax, pigment, oil, gel on birchwood panel.
$950
In this painting, toilet paper is wrapped around what looks like a head and floating on a yellow background.
A dried rose on the side makes it look fashionable but signifies the passage of time. The time seems long but the mood is playful and joyful. In this new pandemic world , we are no longer able to see one another but people can still find joy in this new normal.
My painting talks about finding the silver lining in all of this. My experience during this Coronavirus pandemic has been to keep a positive attitude by trying to continue getting groomed in the morning , having a routine, and taking advantage of this shutdown, in terms of more sleep, more homecooked meals , more exercise etc...
Feminist Portrait with Bra Appliqué
Bra Appliqués
Various sizes, Fabric pen and paint on faux leather
$255. per Bra
How to be a “Dada Darling”: The future of NYC Parties and Gallery Receptions:
These intricate leather bras reflect my feelings of uncertainty during the time of quarantine. I spend a lot of time thinking about what will happen when we emerge from our lockdown…I expect there to be some social awkwardness as a result of so much social distancing. The very idea of going to a party seems surreal and absurd.
I began this lingerie series at the beginning of 2020 – the original incarnation were ink drawings on paper embellished with pink and gold pigments. In March I began creating brassiere appliqués: painting ornate designs directly onto vinyl and faux leather. I sewed my first brassiere appliqué to a black turtleneck sweater, which I had hoped to wear to the opening reception of the “Herstory” show at Viridian. Sadly, NYC lockdown began the day after we installed the show and the opening reception was cancelled.
The 15 bras that I have designed during quarantine are inspired by the Baroness Elsa von Freytag-Loringhoven and her experimental style. For now the bras hang from clothespins in my studio as an installation piece. My hope is to have a post-apocalyptic Dada Bra party, some day when the lockdown ends and we can be light again.
Jenny Belin
May 2020
“where now”
24” x 36”, archival pigment print
$1000.
“Lady Liberty with a Mask”
12”x15” framed, Watercolor
$500.
“Goodnight Mask”
12”x 15”f ramed, Watercolor
$500.
“Chernobyl”
8"x 8", Paper collage
$350.
Deprived of access to my studio, I'm stuck at home making COVID collages; most are about disasters. Here's one based on Mark Neville's photos for an article that appeared in the NY Times Magazine on March 24th, "Why would anyone want to visit Chernobyl?"
Meredeth Turshen
May 2020
“Water”
24" x 36", Mixed media-pastel, marker and ink
$300.
“Bird of Paradise” (Homage to R. D. Laing)
c.1970
Size: 50” × 44”, Acrylic on unprimed canvas
Untitled
1996
24 1/2 “ × 17 1/2”, acrylic and crayon on paper
Emergence
Gradually or explosively, life is always becoming. Out of the surrounding
darkness appears a shape or a light, at once sinister and innocent, wild and contained,
dream-like and real. Awareness of the void serves to delimit, to define sharply
the moment of emergence. At such a moment we feel joy and terror. We are
on the edge of being.
"Odalisque"
21” x 14” x 3”, Mixed Media mounted on a Victorian chair back, using acrylic on canvas, found objects and detritus from previous projects
$375.00
"A classically-themed image of a reclining woman in her boudoir with her cat. Multiple male faces intrude on her through a sheer window curtain."
“Apocalypse/Apocalapse”
8” x 12” signed and numbered on verso, limited edition of 14
Digital on archival paper
$300.
The human race is a marathon, not a sprint. And the beat goes on.
“Nights Spent Alone”
13.9"x 10.5 , Archival pigment print
$320
Carol Quint
“NOW”
16" H x 4" D x 18 W, Doll arm, cloth doll form, chicken bones, medical face mask, straw bottle protective sleeve, discarded used baby shoes, plastic milk bottle safety caps.
$2795.
NOW is a cautionary tale to protect our future; a reminder to shelter in place, wear an N95 mask if you must go out in public and practice social distancing.
Elizabeth Rhoads Read
"Medusa"
16” x 12” x 13”, Discarded colander, styrofoam head covered in polymer reinforced concrete, fabric scraps.
$850.
We are strong women and “Medusa” is the symbol of female rage.
Len Rosenfeld
“947” (Orange Flap)
30"x 22", Partially stretched canvas/gouache/watercolor/wire/carpet tacks/silk fabric on
stretcher.
$650.
This work is a rare precursor to Rosenfeld‘s famous “Wire and Can” series from the 1980s-90s. See www.leonardrosenfeld for Len’s story and further details concerning this series.
Dani Schuller
“Polymer Chains”
19" Round, Upcycled Plastic Bags
$1250.
Polymer Chains and Take-Out are representative of the art that I’ve made with the goal of minimizing what I contribute to landfills and hazardous materials from making their way to the wildlife in our oceans.
Dani Schuller
“Take-Out”
30" x 30”, Repurposed tin foil and take-out containers on canvas.
$3275.
Dani Schuller
“Take-Out” (Detail)
Kathleen Shanahan
“Grit/Graft Roof Remix”
36”x 19”, Mixed Media
$350.
I am aiming for the confrontation and happy coexistence of so-called “oppositional” materials, breaking free from the traditional rectangular format.
Brittany Sievers
I like the look but the quality has really gone downhill..”
30” x 22” x 14”; Indiana Clay, Wire, Two Ikea Lack Table Legs
$350.
This process-based artwork connects humans and the environment through malleable material and an emphasis on the location the material originates.
Kasia Skorynkiewicz
Eternally Outdated
24” x 18”, 35mm cameras, cement
$1000
This work questions our throwaway culture and examines the heavy cost of making technological progress too quickly. As we continue to make new "things," other items become obsolete and then trash. By submerging these old 35mm cameras in cement, I'm memorializing their existence and creating a relic of the past.
Courtney Weida
Untitled/House
5"x 10"x 6", Recycled papers
$200.
These collaborative pieces drawn and painted by my four-year-old daughter, Imogen, are inspired by the House-Tree-Person psychological assessment - with my embellishments and papercraft techniques offering a merging of my daughter’s concepts of home, environment, and figure with my own.
Helen Zajkowski
“SOS (Save Our Seas)”
16.5 “ x 16.5” x 4.5”, Recycled materials: life preserver covered with small plastics such as bottle caps, tape, utensils etc.
$2000.
My art work addresses the billions of plastic straws that have invaded our oceans.
Larry Zdeb
“Natiel”
15" w x 12" t x 4" d, Mixed media assemblage on a violin case.
$1000.
Larry Zdeb has been called the "Master of Found Objects and Personal Mementoes" by the Birmingham Bloomfield Art Center. He employs found objects and recycled paint into an assemblage that appears simple, yet is complicated! Solving the mystery and unpredictability of the work is his motivation! Evoking a reaction by the viewer is his reward! "Less is more and composition is everything!" The simplicity his work is apparent, yet it is an illusion, they have become dream journals!
Philip Zuchman
”Bicycle Lady"
13.5” x 8" with pedestal, Bike parts and fishing gear
Pauline Galiana
“Fantastic 8”
43" x 12" x .5", Hand stitched recycled plastic bags.
$1200.
Art is an act of transformation from ubiquitous to the unique; Art is an opportunity for transcendence beyond material.
Pauline Galiana
“Fantastic 8” (detail)
Alan Gaynor
“this will be around after we are all gone”
5' x11" x 12" wide which depends how it is hung It is made of the plastic that hold six packs of beer or soda together. It is held together by plastic tie wraps .
$200.
Alan Gaynor
Details : “this will be around after we are all gone”
Rachel Green
“Atlas Spun
13 "h X 10"w X 9"d, Toy truck, cd player, globes
Fred Gutzeit
“CokeHd 1968-2007”
17" x 16" x 2", Broken coke bottle +street tar +feather, wood.
$3000.
This broken Coke bottle collage is built of pieces of the everyday world, non-art materials: things we wouldn’t look at for meaning, esthetic or otherwise, things we would rather not see, but as archaeologists learn of a culture by its garbage, so this collage is evidence of our society through detritus showing developments which can be seen as results of events in time, transforming time into space, material into metaphor
Chris Tucker Haggerty
“Moonstruck Mermaid”
11” x 14” (14” x 17” framed), Mixed media.
$700..
An overlooked being reaching beyond her familiar milieu.
Hannah Ehrlich Haney
“Nuance 2”
30" x 12" x 1", Various Fibers
$500.
Life is filled with hidden or exposed nuances and it is up to the individual to notice or not.
Ed Herman
“Self“
36” x 14” x 20”, Found frame, cover from a scanner, pen sunglasses & wire
$1000.
Just Playing with a semi Self-portrait.
Halona Hilbertz
“Ballerina”
15”H x 6W” x 3”D, Plastic, metal, stone.
$320.
Ballerina doesn't care that she is mainly made up of discarded and made-to-be-discarded materials, like the plastic netting that bundles fruit; she dances, plays and enjoys all things beautiful.
Kazuo Ishikawa
“Discarded Wooden Bath Stool”
20” x 15” x 3”, Acrylic, broken wooden stool, branch and wall material for exterior
$990.
This is a reassembly of the chair I’d been using for years & left in my garden.
Bernice Sokol Kramer
“What's the Use?”
25h” x 20.5w”x 2d”, Cut and Pasted printed papers, ink, white-out, acrylic, frame-paper towel tubes
$600.
The title of my piece "What's the Use" - is the artist questioning the meaning of it all?????
Geoffrey Krist
“Cloak”
4.5’ x 1.5’ x 1’, Used cigarette butts, plush felt, thread
$30,000.
Lynne Mayocole and Sam Wiener
"Little Blue Critter"
9 inches, Mixed media, found material.
$123.
Sam and I did him together--we really have different styles but when we work together (and he's the only artist I've ever been able to work with) we some how find a common "groove" effortlessly.
Gail Mitchell
'“fire tread”
27.5 “ x 11” x 2, Metal, paper, wax rubbing, transfer type, wire, varnish, graphite, and oil crayon on rubber fragment
$572.
"fire tread" is made up of mostly found objects, even the wax rubbing is of a raised found surface, the paper, varnish and marks are the only not found parts in the work...all of it together is evidence of the various times and places I discovered them.
Vernita N’Cognita
"P.S. Remember I Love You"
20"x 30"x 4", Plastic vaccum-formed packaging on foam core
$400.
Denise Adler“Hope is all that is left”
40” x 30” x 1.5”, Mixed media on canvas
$2800.
Based on the myth of Pandora, Zeus wanted to punish humanity (that’s a longer story)so he matches Pandora a wise, beautiful, kind, generous and above all curious goddess with Prometheus, Zeus gave the couple a “gift” with instructions never to open it, Pandora’s fate was sealed, she opened the box and all the evils in the world were released, too late, she slammed the lid closed but the only thing left in the box is hope thank you for that. I made this piece in 2016-17 and I hold on to the hope if better things to come.
Annaliese Bischoff
“Reincarnation 1”
20"x 10"x 12", Plastic bags and plastic packing bubbles
$150.
First recorded in the mid 19th century, reincarnation refers to a new embodiment. In this work plastic bags and plastic packing bubbles come back as a new superbug, to haunt us eternally. And this larger than life plastic roach-hopper-fly can do just that. It's more than creepy. As our plastic problem evolves, it will not go away without serious superhuman action.
Penny Armentrout Brooks
“AZ Blue Whiskers"
About 6" long 10" circumference, Paper Mache and wire
Ellen Burnett
“A Misbegotten Guess”
10.75"h x 14"w x 4"d, Mixed Media including glass, grapevines, bleached coral, sea shells, paper, lino, plastic, turquoise, feathers, laser-cut polyester, circuit board.
$860.
General disenchantments and things saved for ages in hope and sorrow
Ellen Burnett
“Mailboxes”
4"h x 10.5"w x 5.25"d, acrylic, paper: junk mail
$900 for the set, $65 ea. (there are 14 of them).
Angelyn Chandler
“Folds”
4” x 4” x 2.5”, Pulp paper package
$200.
To me, pulp packaging material is architectural in nature; by cutting into and combining these forms, I am able to create new and previously-unimaginable architectures.
Irene Christensen
“Regrette Rien"
13 “ x 5” x 4", Found medicine bottle and wooden box and clock, weathered shrunken glove, photo
$500.
Edith Piaf is the very symbol of love, sorrow, music. This little work is a tribute to her.
Harry Delorme
“Blue Plastic River”
21.5” x 31 .5”, Found plastic from Savannah River over acrylic on panel.
$1200.
May Deviney
“Groom”
12.5 ” x 9” x 2”, Avon Bottle Topper, Paintbrush, Gold Ribbon from Candy
$125.
This is a found-object piece made from a heavily damaged house paintbrush with an Avon bottle topper of a wedding groom mounted on the handle, with a glittery gold ribbon also decorating the handle. It is about the contrast between a really messy work implement paired with a formal, aloof piece that usually indicates grand culture, referring to persistent cultural conflicts.
Katie De Young
“Price to Pay”
15” x 12” x 1”, Copper wire, Used inner bicycle tire, red wire
$855.
An abstract interpretation of people spending copious amounts of money on beauty products and plastic surgeries, because they are influenced by the media's unrealistic beauty standard.
Kiffi Diamond
“Visiting The City”
16 “x12”, Mixed media
$375.
A couple from the country taking a city walk: created with rusty bits of found metal.
Céline Downen
“10 Days of Laundry”
26” x 30” x.125”, Fiber Art – felted laundry lint.
$200.
In 10 Days of Laundry I’ve arranged the byproducts of day-to-day family life, including laundry lint, into, I hope, something beautiful.
Emily Eihoffer
“Lumpy Print 3”
26" x 24" x 1", Liquid foundation on plastic.
$350.
Myrna Minter Forster
"Window"
8 3/4" x 12", Acrylic, paper mache, sequins, organza, rope, string, feathers on canvas.
$450.
FOR IMMEDIATE RELEASE Please List
"HERSTORY: All That Women Are"
March 17- April 18, 2020
Opening Reception: Cancelled
Kelynn Alder * Deborah Beck * Jenny Belin * Renee Borkow * Ellen Burnett * Irene Christensen *
May DeViney * Kiffi Diamond * Michael Drakopoulos * Samantha Dziubek * David Fitzgerald *
Arlene Finger * Elizabeth Ginsberg * Juliette Gordon * Joshua Greenberg * Chris Tucker Haggerty *
Yu Huang * Kazuo Ishikawa * Yasmine Iskander * Bernice Sokol Kramer * Angela M. LaMonte * Marco Lando *Gabrielle Lundy * Rosemary Lyons * Lynne Mayocole * Ron Moore * Sai Morikawa *
Vernita N’Cognita * Stacey Clarfield Newman * Nancy Nicol * Petronia Paley *
Srividya Kannan Ramachandran * Sarah Riley * Susan Sills * Katherine Ellinger Smith *
Fances Vye Wilson * Sharon Wybrants *
“We have to behave as if everything we do matters”
Gloria Steinem
Chelsea NY: Viridian Artists is pleased to present an exhibition of outstanding art about women. The show extends from March 17- April 18, 2020.
“Herstory”, the word, came into prominence in the early 70’s when second wave feminists began to fight back regarding the male dominated culture of planet Earth. At that time, to get a credit card or take out a loan a woman would have to bring a man to co-sign. Some credit cards still charge women a higher interest rate.
Not until the1930’s could women choose professions such as law, but then even with a degree, most could not get a job as a lawyer. Not even Ruth Bader Ginsberg.
During World War Two Rosie the Riveter came into prominence because the men were at war and women had to go out into the work world. But in the 50’s more traditional roles returned for women and wives, bringing them back into housework and motherhood while men went out to work and to “bring home the bacon”. The marriage rate increased, the baby boom brought more then 76 million births and the divorce rate decreased.
In the 60’s though, we women became bored, went back to work and The Pill came into being. But still, even Betty Friedan’s Feminist Mystique and the ERA (Equal Rights Amendment) couldn’t give us the equality we demanded though many of us began to reclaim our names rather than carry on with that of our husband.
As recently as 2019 women made but 79 cents in comparison to man’s dollar earned though in 1963, JFK instituted the Equal Pay Act. According to the Institute for Women’s Policy Research it will be another 40 years before women make as much as men and even longer for women of color.
The gender wage gap is not the only way in which women are still undergoing discrimination. Of more than 5000 public statues in existence in the US, only 200 are of women. During most of history including the 20th century, married women have been the property of their husband with no right to own property or borrow money without their husband co-signing. It wasn’t until 1965 in France that women were given the right to work without their husband’s consent.
It’s interesting that women had far more legal rights in early Egypt & Rome than we did in the 20th century. They could represent themselves in court, own property, free slaves and sue. We can now work the jobs we want, but we also must still often carry the primary burden of the home. The Guerrilla Girls say that at the Met, less than 4% of the artists are women, but 76% of the nudes are female. Pussy Riot faced a 7 year prison sentence for their punk performance at a Russian church, and a woman is yet to become President. So, to honor women, we again resurrect “Herstory”.
Due to the COVID19 pandemic our gallery is currently closed. “Herstory” is a virtual show that can be viewed on our website. Please click here to view the works in this show.
For further information please contact Vernita Nemec, Gallery Director at 212-414-4040 or viridianartistsinc@gmail.com
or view the gallery website: www.viridianartists.com
Kelynn Alder
“My America”
53 x 42 inches: Acrylic and oil on canvas
$9000.
This is a portrait of a friend who lives on Long Island but was separated from her family and held in deportation in New Jersey for six months. She exhausted the savings she had accumulated over a dozen years for her 2 daughters’ colleges (as they are DACA students and not eligible for in-state tuition or foreign scholarships) in order to pay her legal fees to be freed. She is now in the process of seeking asylum.
Deborah Beck
"All in a Day's Work"
16 x 20 inches; Oil on canvas
$500.
My painting "All in a Day's Work" depicts a visual story of a woman busy at work, as so many millions do and have done
Jenny Belin
“Dream Big, Fight Hard”
13 ½ x 11 inches; Acrylic and ink on wood panel (framed)
$500.
A Portrait of Senator Elizabeth Warren, painted three days prior to her dropping out of the 2020 presidential race: #Mostqualified, #MissedOpportunity, #unconscioussexism
Renee Borkow
“From Hera to Eternity”
23 ¼ x 29 ¼ inches; Caran d’Ache watercolor pencil, collage
$2000.
My picture “From Hera to Eternity” was originally inspired by the poem “The Odyssey”. This image of the goddess Hera is a watercolor pencil collage from a series that focused on the characters, stories and symbols of the Greek goddesses and their feminine persuasive powers.
Ellen Burnett
“Creation”
24 x 30 x 2inches; Mixed media including cardboard, ink, charcoal, pencil, watercolor, acrylic paint, vinyl, tape on watercolor paper/
$1200.
Creation: the artist at work, or how the brain explodes in the small hours.
Irene Christensen
”Artemis”
20 x 16 inches, Oil on canvas
Human beings are part of Nature. We must never forget that or take Nature for granted.This is my mythology, my personal iconography. Its symbols and densely worked images are a translation of my sense of the primacy of nature, our dependence on it and inescapable bond to it.
Kiffi Diamond
“Spring Cleaning in the Eisenhower Era”
12 x 12 inches; Mixed media
$375.
Vintage catalog images from 1952 create a scene of a woman doing mundane housework.
Michael Drakopoulos
“Three Women Working at Grand Central Dining Concourse”
11 x 16 ½ inches; Ink jet on cotton rag paper
$350.
Samantha Dziubek
“It Comes and Goes in Waves”
10 ½ x 13 ½ inches; Acrylic and ink and paper on canvas
$650.
“It Comes and Goes in Waves” depicts the struggles and stigmas of mental health that women are subjected to but forced to repress so they don’t “appear weak” or “too emotional”. Samantha has intertwined parts of her personal journal to the contour of her waterscape and the inner essence of the stylized odalisque. Repressing emotions exacerbates an emotional drowning sensation and only intensifies anxieties. Once one faces these emotions head on they will be able to process and grow. “
David Fitzgerald
”Ghost at the Ansonia”
25 x 24 x 17 inches; Photos mounted on cabinet, plaster and encaustic on toy figure. (Wonder Woman)
$2000.
This piece is made with images attached to a cabinet, including the apartment in Rosemary’s baby and a painting by Edward Hopper as well as person photographs and 8mm movies. The ghost is a Wonder Woman action figure covered with plaster and encaustic. Emotionally it is about loss and memories of time gone by..
Arlene Finger
“Self Portrait” 14 x 17 inches; Pastel, ink and pencil
$700.
Elizabeth Ginsberg
“Mural 8-Ode to the ERA”
17 x 21 inches (framed); Digital print with hand coloring and writing
$500.
My digital print with hand coloring and writing is titled, "MURAL 8- ODE to the ERA."The writing in the upper part of the print celebrates the goal of the Equal Rights Amendment that was first introduced to Congress in 1923.
"Equality of rights under the law shall not be denied or abridged by the United States or by any state on account of sex."
Juliette Gordon
“JG 202”
35 x 29 inches, Photomontage
$1800.
Joshua Greenberg
“Threes and Other Curves No. 28”
20 x 16 inches; Photo Based Imagery
$1450.
Chris Tucker Haggerty
“Child of My Bones”
Book Arts, Board, Fabric, Papers.
NFS
“Child of My Bones” was inspired by women’s insurmountable power to co-create life and the indescribable bond between mother and child.
Yu Huang
“Dream Most Difficult”
20 x 56 inches; oil on canvas
NFS
Kazuo Ishikawa
“Caged Equality”
12 x 12 inches; Mixed media
$750,
The caged heart is the symbol of “equality”, which is oppressed and turned color gray. But the right side of the cage isn’t closed perfectly, there is a tiny space and being changed the color of the fence bar. (gold to silver)
It represents the hope & the loophole to the world of possibilities.
Yasmine Iskander“Reflection”
13 ½ x 13 ½ inches; Acrylic on canvas
$700,
Bernice Sokol Kramer
“Gold in the Morning Sun”
63 x 27 x 16 inches; Paper Mache, Acrylic
$6000.
Sir Jacob Epstein's sculpture "Madonna and Child"-1950 was the inspiration for my mother and child sculpture titled "Gold in the Morning Sun"
Angela M. LaMonte“
Homage to the Great Courageous Bernie Sanders and the Great Courageous Cornel West””
17 x 19 inches; Mixed media painting
$500.
“My art strongly reveals social consciousness, ideological convictions as it suggests/represents and at the same time evokes thought as well as emotion in others.”
Marco Lando
“Exile #76”
31x 48 cm; Digital print on Baryta paper,
ed. 1/7 + 3 AP
$550.
Black and white photo of hermitic woman on a moody landscape in the mountains, turning her back to a mirror. The blanket used by the woman to cover herself, becomes a sort of hermitic dress designed to remove from the woman's body the signs of her femininity, in order to force upon herself a path of atonement. The mirror is intended as an instrument of self-knowledge. The woman turns her back to it as if she was in a deep, intimate fear.
Gabrielle Lundy
Natasha’s Everyday Story”
8 x 8 inches; Mixed media collage
Gabrielle upcycles 95%of the materials she uses in her creative process, so when she spotted the brown striped pillow case,she knew she wanted to use it to create Natasha, a biracial woman in her EVERYDAY PEOPLE series.
$149.
Rosemary Lyons
”Bitch”
4 x 6 inches; Egg tempera and gold leaf on board
$300.
Lynne Mayocole
“Marissa’s Doll House”
15 ½ x 8 ½ x 8 ½ inches; Mixed media
$500.
Ron Moore
“Air Kiss”
Life Size; Powder coated steel, wire figure
$900.
Sai Morikawa
"Reverse Angle"
38 x 25 inches; Mixed media on canvas
$1500,
Vernita N’Cognita“
“Inscru-“
29 x 20 inches; Mixed media
$500.
Mona Lisa with her inscrutable smile has served as a symbol of a
powerful female for centuries. Here I have framed her with a diaphragm
invented in the mid-19th century, finally giving women power over their
bodies through birth control.
Stacey Clarfield Newman
“Warrior Goddess”
43 x 45inches; Mixed media
$3600.
My piece, Warrior Goddess is about the divine feminine and the courage, strength and wisdom of my inner self as I faced an incredible challenge as a woman.
Nancy Nicol"
F is for Female."
11 x 14 x 2 inches; Collage/found object
$275.
My inspiration came from finding the letter F, often used as half a curse but a sacred letter to me, being one - this collage reworks girl-type paper dolls, ads and cartoons.
Petronia Paley
“Green Tara in a Box”
11 x 14 inches; Box Collage: Vintage Chinese cloth/paper, with bone objects.
$600.
The Tara is the feminine form of compassion, the incarnate goodness in all women.She represents the potential for compassion in all, and the compassion we extend to others. I am Tara. You are Tara. We are all Tara!
Srividya Kannan Ramachandran
“She is Everyone”
8 x 8 inches; A.I Generated art printed on metal
$500
Sarah Riley
“Rocket Girl”
40 x 30 inches; Acrylic on canvas
$3000.
Taking off from earth, Rocket Girl is bathed in the sun-like glow of rocket fuel exploding out from her feet, the natural world suffusing her being with vitality, propulsion, persistent purpose, a force no longer to be denied.
Susan Sills
“After Degas/Woman in a Tub”
40 x 36 inches; Life size painted wood cutout.
$5000.
Katherine Ellinger Smith“Notes from Kathy Smith's Journal, Bluff Utah 2020”
11 x 14 inches; Monoprint, inks, graphite
$150.
This artwork is a jumble of visual images, notes, textures, and words torn and compiled into images from a daily journal that I started after retiring near the Navajo reservation, May 2018.
Sharon Wybrants"
Endangered Species, Tigers and their habitat, the Sumatra Rainforest, Oil Painting, 9 1/2 feet high by 16 feet wide, in progress, February 28, 2020."
24 x 36 inches; Photograph of a painting.
$450.
Frances Vye Wilson
SOCIAL WARRIORS: Call to Arms: “DEFEND YOUR HONOR”
28 x 15 X 8 inches; Cambium Fiber from the Asian mulberry tree and deer antler
$5300..